<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Jazz Diggs</title><description>The Journal of Jazz &amp; Improvised Music — features, reviews, interviews, and deep dives into jazz culture.</description><link>https://jazzdiggs.com/</link><language>en-us</language><copyright>Jazz Diggs 2026</copyright><managingEditor>editors@jazzdiggs.com (Jazz Diggs Editorial)</managingEditor><webMaster>tech@jazzdiggs.com (Jazz Diggs Tech)</webMaster><ttl>60</ttl><image><url>https://jazzdiggs.com/favicon.svg</url><title>Jazz Diggs</title><link>https://jazzdiggs.com</link></image><item><title>The Twin Cities Jazz Festival: What Makes It Different</title><link>https://jazzdiggs.com/articles/twin-cities-jazz-festival-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/twin-cities-jazz-festival-guide/</guid><description>The Twin Cities Jazz Festival runs every June in Minneapolis—free, with national headliners and 20,000 attendees. I&apos;ve covered it for four decades.</description><pubDate>Tue, 31 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/twin-cities-jazz-festival-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Rooms That Came and Went: A Map of Twin Cities Jazz Venues</title><link>https://jazzdiggs.com/articles/twin-cities-jazz-venues-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/twin-cities-jazz-venues-history/</guid><description>I&apos;ve spent forty years watching Twin Cities jazz rooms close. Rossi&apos;s, Jazzmines, the Times—most are gone. What survived tells you what sustains a scene.</description><pubDate>Tue, 31 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/twin-cities-jazz-venues-history.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Wayne Shorter: Jazz&apos;s Most Elusive Composer</title><link>https://jazzdiggs.com/articles/wayne-shorter-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/wayne-shorter-feature/</guid><description>Wayne Shorter wrote &apos;Footprints,&apos; &apos;Speak No Evil,&apos; and &apos;Nefertiti.&apos; He played with Miles and co-founded Weather Report. But the compositions are the legacy.</description><pubDate>Tue, 31 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/wayne-shorter-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>The Women Who Built Jazz</title><link>https://jazzdiggs.com/articles/women-in-jazz-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/women-in-jazz-history/</guid><description>Mary Lou Williams, Melba Liston, Lil Hardin, and Alice Coltrane shaped jazz. The standard history barely mentions them.</description><pubDate>Tue, 31 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/women-in-jazz-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>The Artist&apos;s Quarter: Three Lives of St. Paul&apos;s Jazz Room</title><link>https://jazzdiggs.com/articles/artists-quarter-st-paul/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/artists-quarter-st-paul/</guid><description>The Artist&apos;s Quarter ran 37 years across three locations. Kenny Horst ran it on no salary. DownBeat called it one of the 150 best jazz venues in the world.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/artists-quarter-st-paul.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Captain Jack McDuff&apos;s Minneapolis Years</title><link>https://jazzdiggs.com/articles/captain-jack-mcduff-minneapolis/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/captain-jack-mcduff-minneapolis/</guid><description>Jack McDuff died in Minneapolis in 2001 at 74. He spent his last 11 years here in a career renaissance. He gave George Benson his first break.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/captain-jack-mcduff-minneapolis.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Dakota: Minneapolis&apos;s Last Major Jazz Club</title><link>https://jazzdiggs.com/articles/dakota-jazz-club-minneapolis/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/dakota-jazz-club-minneapolis/</guid><description>The Dakota has been open on Nicollet Mall since 1985. It outlasted every other major jazz club in Minneapolis. DownBeat and USA Today have both recognized it.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/dakota-jazz-club-minneapolis.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Debbie Duncan: Minnesota&apos;s First Lady of Song</title><link>https://jazzdiggs.com/articles/debbie-duncan-twin-cities-jazz/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/debbie-duncan-twin-cities-jazz/</guid><description>Debbie Duncan came to Minneapolis in 1984 for six weeks and stayed 36 years. Won Jazz Vocalist of the Year so often the MMA retired her from it. Died 2020.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/debbie-duncan-twin-cities-jazz.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Emporium of Jazz: Mendota&apos;s 25-Year Jazz Miracle</title><link>https://jazzdiggs.com/articles/emporium-of-jazz-mendota/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/emporium-of-jazz-mendota/</guid><description>The Emporium of Jazz ran in Mendota, MN from 1966 to 1991. The Minnesota Historical Society named it one of 150 things that made Minnesota.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/emporium-of-jazz-mendota.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>How Did Minneapolis Pull This Off?</title><link>https://jazzdiggs.com/articles/how-minneapolis-built-jazz-scene/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/how-minneapolis-built-jazz-scene/</guid><description>Minneapolis shouldn&apos;t have a jazz scene this deep. No touring route, brutal winters, mid-sized population. I was there. Here is why it happened.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/how-minneapolis-built-jazz-scene.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Irv Williams: Mr. Smooth</title><link>https://jazzdiggs.com/articles/irv-williams-mr-smooth/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/irv-williams-mr-smooth/</guid><description>Irv Williams arrived in Minneapolis in 1942, turned down three jazz legends to stay, and played here until his death at 100 in 2019. Mr. Smooth.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/irv-williams-mr-smooth.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>KBEM Jazz 88: The Station That Held the Twin Cities Scene Together</title><link>https://jazzdiggs.com/articles/kbem-jazz-88-minneapolis/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/kbem-jazz-88-minneapolis/</guid><description>KBEM Jazz 88 broadcasts 24 hours of jazz from Minneapolis. Run by the public school system. No other station quite like it anywhere.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/kbem-jazz-88-minneapolis.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Leigh Kamman and The Jazz Image</title><link>https://jazzdiggs.com/articles/leigh-kamman-jazz-image/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/leigh-kamman-jazz-image/</guid><description>Leigh Kamman hosted The Jazz Image on MPR from 1973 to 2007. Broadcasting since 1939. I produced his show for years.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/leigh-kamman-jazz-image.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Maria Schneider: From Windom to the World</title><link>https://jazzdiggs.com/articles/maria-schneider-minnesota-jazz/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/maria-schneider-minnesota-jazz/</guid><description>Maria Schneider grew up in Windom, MN, studied with Gil Evans, and became one of jazz&apos;s most Grammy-decorated composers. Minnesota&apos;s best-kept secret.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/maria-schneider-minnesota-jazz.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Peterson Family: Minnesota&apos;s Four Generations of Jazz</title><link>https://jazzdiggs.com/articles/peterson-family-minnesota-jazz/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/peterson-family-minnesota-jazz/</guid><description>Minnesota&apos;s most productive musical dynasty. Five children went national. Prince, Bob Dylan, Stevie Nicks, and Fleetwood Mac all worked with Petersons.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/peterson-family-minnesota-jazz.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Bad Plus: Minnesota&apos;s Gift to Modern Jazz</title><link>https://jazzdiggs.com/articles/the-bad-plus-twin-cities/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/the-bad-plus-twin-cities/</guid><description>The Bad Plus came from Minneapolis and became one of the most covered jazz groups of the 2000s. The New York Times wrote about them. Columbia signed them.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/the-bad-plus-twin-cities.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Twin Cities Jazz Society and Jazz Notes</title><link>https://jazzdiggs.com/articles/twin-cities-jazz-society-jazz-notes/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/twin-cities-jazz-society-jazz-notes/</guid><description>I served on the Jazz Society board in the 1980s and edited Jazz Notes, the weekly publication that held our scene together before the internet.</description><pubDate>Sat, 28 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/twin-cities-jazz-society-jazz-notes.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Chicago Jazz Clubs: The Rooms That Made the Sound</title><link>https://jazzdiggs.com/articles/chicago-jazz-clubs-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/chicago-jazz-clubs-guide/</guid><description>Chicago pulled jazz north during the Great Migration and made it harder, faster, and louder. These are the clubs where that sound still lives.</description><pubDate>Wed, 25 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/chicago-jazz-clubs-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>New Orleans Jazz Clubs: Where to Hear the Real Thing</title><link>https://jazzdiggs.com/articles/new-orleans-jazz-clubs-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/new-orleans-jazz-clubs-guide/</guid><description>New Orleans invented jazz and never stopped playing it. Here are the clubs and rooms where the music still sounds like it belongs.</description><pubDate>Wed, 25 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/new-orleans-jazz-clubs-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>New York Jazz Clubs: The Definitive Guide to the Village and Beyond</title><link>https://jazzdiggs.com/articles/new-york-jazz-clubs-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/new-york-jazz-clubs-guide/</guid><description>New York did not invent jazz, but it gave jazz a career. The Village Vanguard, Blue Note, and Smalls are still open. Here is how to navigate the scene.</description><pubDate>Wed, 25 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/new-york-jazz-clubs-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Twin Cities Jazz: The Scene That Raised Me</title><link>https://jazzdiggs.com/articles/twin-cities-jazz-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/twin-cities-jazz-guide/</guid><description>Minneapolis and St. Paul sustain a full-time jazz radio station, a world-class club, and a free festival. I spent forty years inside it.</description><pubDate>Wed, 25 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/twin-cities-jazz-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The 15 Best Jazz Guitar Albums Ever Recorded</title><link>https://jazzdiggs.com/articles/best-jazz-guitar-albums/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/best-jazz-guitar-albums/</guid><description>The jazz guitar canon runs from Charlie Christian to Julian Lage. These fifteen albums trace the full arc.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/best-jazz-guitar-albums.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Bill Evans: Sunday at the Village Vanguard</title><link>https://jazzdiggs.com/articles/bill-evans-village-vanguard-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/bill-evans-village-vanguard-review/</guid><description>Bill Evans, Scott LaFaro, and Paul Motian played at the Village Vanguard on June 25, 1961. What they recorded redefined the piano trio. LaFaro died ten days...</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/bill-evans-village-vanguard-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Chick Corea: Forever Yours — The Farewell Performance</title><link>https://jazzdiggs.com/articles/chick-corea-farewell-performance-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/chick-corea-farewell-performance-review/</guid><description>Chick Corea&apos;s last concerts were never meant to be farewells. They became the most tender document of a fifty-year career.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/chick-corea-farewell-performance-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Chick Corea: Forever Yours (2026)</title><link>https://jazzdiggs.com/articles/chick-corea-farewell-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/chick-corea-farewell-review/</guid><description>Chick Corea played two solo concerts in October 2020. Four months later he was gone. Forever Yours captures what he left in the room.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/chick-corea-farewell-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>The Classic Quartet: Coltrane&apos;s Four Years</title><link>https://jazzdiggs.com/articles/coltrane-quartet-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/coltrane-quartet-history/</guid><description>Between 1961 and 1965, the John Coltrane Quartet made the most intense and spiritually ambitious music in jazz. Then it dissolved. Here is how it happened.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/coltrane-quartet-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Detroit Jazz and the Strata Corporation</title><link>https://jazzdiggs.com/articles/detroit-jazz-strata-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/detroit-jazz-strata-history/</guid><description>In 1969, pianist Kenny Cox founded Strata Records in Detroit. The label lasted five years and produced some of the most uncompromising jazz of its era. Its...</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/detroit-jazz-strata-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Ten Jazz Piano Albums That Tell the Whole Story</title><link>https://jazzdiggs.com/articles/jazz-piano-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-piano-guide/</guid><description>Ten piano recordings that trace jazz from Art Tatum&apos;s stride to Keith Jarrett&apos;s solo improvisation. A guided listening path, not a ranked list.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-piano-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>James Tanner</author></item><item><title>Joel Ross and the Sound of the Black Church</title><link>https://jazzdiggs.com/articles/joel-ross-black-church-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/joel-ross-black-church-feature/</guid><description>Joel Ross grew up in Chicago&apos;s Black church. On Gospel Music, he stops translating that experience into jazz and lets the two become the same thing.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/joel-ross-black-church-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>James Tanner</author></item><item><title>Joel Ross: Gospel Music (2026)</title><link>https://jazzdiggs.com/articles/joel-ross-gospel-music-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/joel-ross-gospel-music-review/</guid><description>Joel Ross has always drawn from Chicago&apos;s Black church. On Gospel Music, he stops drawing from it and walks directly inside.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/joel-ross-gospel-music-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Joel Ross: Faith, Service, and the Black Church in Jazz</title><link>https://jazzdiggs.com/articles/joel-ross-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/joel-ross-interview/</guid><description>Joel Ross structured Gospel Music around the biblical narrative — creation, fall, salvation. On Blue Note, that takes nerve.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/joel-ross-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Julian Lage: Writing Twenty-Minute Songs and Building a Band</title><link>https://jazzdiggs.com/articles/julian-lage-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/julian-lage-interview/</guid><description>Julian Lage was identified as a prodigy at eight. Three decades later, he built a quartet where the guitar is not the hero.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/julian-lage-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Julian Lage and the Case for Writing Fast</title><link>https://jazzdiggs.com/articles/julian-lage-writing-fast-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/julian-lage-writing-fast-feature/</guid><description>Julian Lage composed Scenes from Above in twenty-minute sprints. The method sounds reckless. The results sound inevitable. That tension is the point.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/julian-lage-writing-fast-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Julian Lage: Scenes From Above (2026)</title><link>https://jazzdiggs.com/articles/julian-lage-scenes-from-above-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/julian-lage-scenes-from-above-review/</guid><description>Scenes From Above is not about Julian Lage proving anything. It&apos;s about four musicians in a room, deciding together what matters.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/julian-lage-scenes-from-above-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Thelonious Monk and the Logic of Wrong Notes</title><link>https://jazzdiggs.com/articles/thelonious-monk-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/thelonious-monk-feature/</guid><description>Monk&apos;s wrong notes were structurally correct. Understanding how requires listening to what his left hand was doing while everyone was distracted by his right.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/thelonious-monk-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Theo Croker and Sullivan Fortner: Just Play</title><link>https://jazzdiggs.com/articles/theo-croker-sullivan-fortner-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/theo-croker-sullivan-fortner-review/</guid><description>Theo Croker and Sullivan Fortner threw out a covers album and recorded fourteen spontaneous duets. The result is the most honest jazz record of early 2026.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/theo-croker-sullivan-fortner-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Tomeka Reid: dance! skip! hop! (2026)</title><link>https://jazzdiggs.com/articles/tomeka-reid-dance-skip-hop-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/tomeka-reid-dance-skip-hop-review/</guid><description>Tomeka Reid&apos;s fourth quartet album is five compositions that make you want to move. The playing is as demanding as anything in free jazz. It just happens to...</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/tomeka-reid-dance-skip-hop-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>What Is Bebop? The Revolution That Made Jazz an Art Form</title><link>https://jazzdiggs.com/articles/what-is-bebop/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/what-is-bebop/</guid><description>Bebop was not a genre. It was a declaration of independence — from dance floors, from entertainment, from the idea that jazz was background music.</description><pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/what-is-bebop.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Sonny Rollins: Saxophone Colossus (1956)</title><link>https://jazzdiggs.com/articles/sonny-rollins-saxophone-colossus-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/sonny-rollins-saxophone-colossus-review/</guid><description>Saxophone Colossus was recorded in a single afternoon in 1956. Rollins was twenty-five. The record has not been surpassed in the tenor saxophone tradition.</description><pubDate>Sat, 14 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/sonny-rollins-saxophone-colossus-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Shabaka Hutchings: After the Saxophone</title><link>https://jazzdiggs.com/articles/shabaka-hutchings-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/shabaka-hutchings-feature/</guid><description>Shabaka Hutchings dissolved three bands, gave away his saxophone, and restarted with a Japanese flute he could barely play. What followed is extraordinary.</description><pubDate>Thu, 12 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/shabaka-hutchings-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Robin D.G. Kelley and the Labor History of Jazz</title><link>https://jazzdiggs.com/articles/robin-kelley-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/robin-kelley-interview/</guid><description>Robin D.G. Kelley wrote the definitive Monk biography. His approach — follow the labor, the politics, the money — changes how jazz history reads.</description><pubDate>Tue, 10 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/robin-kelley-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>What to Listen to After Kind of Blue</title><link>https://jazzdiggs.com/articles/what-to-listen-after-kind-of-blue/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/what-to-listen-after-kind-of-blue/</guid><description>Kind of Blue is the most recommended entry point in jazz and the most common place to stop. There is a great deal more on the other side of it.</description><pubDate>Mon, 09 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/what-to-listen-after-kind-of-blue.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>New York Jazz in 2025: The Rooms That Still Matter</title><link>https://jazzdiggs.com/articles/new-york-jazz-scene-2025/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/new-york-jazz-scene-2025/</guid><description>The Village Vanguard still exists. So does a Brooklyn scene that did not exist twenty years ago, and a generation of musicians who grew up in both.</description><pubDate>Wed, 04 Mar 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/new-york-jazz-scene-2025.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Miles Davis: Tutu (1986)</title><link>https://jazzdiggs.com/articles/miles-davis-comeback-tutu/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-davis-comeback-tutu/</guid><description>Tutu is the most controversial Miles Davis record after On the Corner. It is also the most misunderstood record of his late career.</description><pubDate>Fri, 27 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-davis-comeback-tutu.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Miles Davis vs. Wynton Marsalis: The Argument That Defined an Era</title><link>https://jazzdiggs.com/articles/miles-davis-wynton-marsalis-feud/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-davis-wynton-marsalis-feud/</guid><description>Miles Davis thought Wynton Marsalis was playing old music in fancy clothes. Marsalis thought Miles had abandoned jazz. They were both partly right.</description><pubDate>Thu, 26 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-davis-wynton-marsalis-feud.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Feeling Music: Melissa Aldana and the Cuban Tradition</title><link>https://jazzdiggs.com/articles/melissa-aldana-filin-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/melissa-aldana-filin-review/</guid><description>Aldana came to record a ballads album. Rubalcaba had a better idea. What followed is one of the most surprising pivots in recent jazz history.</description><pubDate>Tue, 24 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/melissa-aldana-filin-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Sun Ra and the Arkestra: Music from Another Planet</title><link>https://jazzdiggs.com/articles/sun-ra-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/sun-ra-feature/</guid><description>Sun Ra built a myth, a band, and a philosophy. The myth was absurd. The band was serious. The philosophy is one of the most original produced by American music.</description><pubDate>Sat, 21 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/sun-ra-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>The Second Great Quintet: Miles Davis 1964–1968</title><link>https://jazzdiggs.com/articles/miles-davis-second-great-quintet/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-davis-second-great-quintet/</guid><description>Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams: four musicians who had never quite fit together. With Miles Davis, they changed jazz.</description><pubDate>Fri, 20 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-davis-second-great-quintet.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Matana Roberts and the Twelve-Chapter History of Everything</title><link>https://jazzdiggs.com/articles/matana-roberts-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/matana-roberts-interview/</guid><description>Matana Roberts has spent over a decade on Coin Coin — twelve chapters tracing Black American history through family and free jazz.</description><pubDate>Tue, 17 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/matana-roberts-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Miles Davis and the Musicians He Made</title><link>https://jazzdiggs.com/articles/miles-davis-influence/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-davis-influence/</guid><description>Miles Davis&apos;s bands were finishing schools. Coltrane, Hancock, Shorter, Chick Corea — every one left with something they could not have learned elsewhere.</description><pubDate>Thu, 12 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-davis-influence.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Lee Morgan: The Sidewinder (1963)</title><link>https://jazzdiggs.com/articles/lee-morgan-sidewinder-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/lee-morgan-sidewinder-review/</guid><description>The Sidewinder was a commercial hit in a genre that had stopped having them. It achieved that without compromising a single note.</description><pubDate>Mon, 09 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/lee-morgan-sidewinder-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>How to Start Listening to Jazz: An Honest Guide</title><link>https://jazzdiggs.com/articles/learning-jazz-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/learning-jazz-guide/</guid><description>Most beginner&apos;s guides to jazz tell you what to listen to. This one tells you how to listen — which is the more useful and more neglected question.</description><pubDate>Wed, 04 Feb 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/learning-jazz-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Where to Start with Miles Davis: A Discography Map</title><link>https://jazzdiggs.com/articles/miles-davis-discography-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-davis-discography-guide/</guid><description>Miles Davis made over sixty studio albums. The question of where to start is real. The answer depends entirely on what you want from the music.</description><pubDate>Sat, 31 Jan 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-davis-discography-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>How to Collect Jazz Records Without Losing Your Mind</title><link>https://jazzdiggs.com/articles/jazz-record-collecting-guide/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-record-collecting-guide/</guid><description>Jazz record collecting is obsessive and expensive. Both reputations are warranted. The third — that it rewards obsessiveness — is most warranted of all.</description><pubDate>Tue, 27 Jan 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-record-collecting-guide.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Room Where Everyone Showed Up: A Review of The Jazz Omnibus</title><link>https://jazzdiggs.com/articles/jazz-omnibus-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-omnibus-review/</guid><description>Not a history of jazz, but something rarer: how serious people kept showing up to write about music that refused to stay still.</description><pubDate>Wed, 21 Jan 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-omnibus-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Jazz in Film: What the Movies Got Right and Got Wrong</title><link>https://jazzdiggs.com/articles/jazz-in-film-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-in-film-feature/</guid><description>Films about jazz tend to get the music wrong in the same way: they mistake suffering for authenticity, and technical mastery for artistic vision.</description><pubDate>Tue, 13 Jan 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-in-film-feature.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>How Jazz Is Taught Now — And What That Means for the Music</title><link>https://jazzdiggs.com/articles/jazz-education-today/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-education-today/</guid><description>The conservatories teach jazz as a discipline now. The question is whether what they teach produces musicians, or produces people who can pass the exam.</description><pubDate>Tue, 06 Jan 2026 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-education-today.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Jazz at Lincoln Center: What Wynton Marsalis Built</title><link>https://jazzdiggs.com/articles/jazz-at-lincoln-center-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-at-lincoln-center-interview/</guid><description>Wynton Marsalis spent thirty-five years building the largest jazz institution in the world. The debates it sparked define how we argue about jazz.</description><pubDate>Mon, 29 Dec 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-at-lincoln-center-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Jazz and Hip-Hop: A Lineage, Not a Collaboration</title><link>https://jazzdiggs.com/articles/jazz-and-hip-hop-connection/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-and-hip-hop-connection/</guid><description>Sampling was not hip-hop producers taking from jazz. It was the same musical culture extending itself into a new technological environment.</description><pubDate>Sat, 20 Dec 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-and-hip-hop-connection.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>How the 2010s Rebuilt Jazz: Kamasi, Kendrick, and the London Moment</title><link>https://jazzdiggs.com/articles/jazz-2010s-renaissance/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-2010s-renaissance/</guid><description>In 2015, Kamasi Washington released The Epic, Kendrick Lamar released To Pimp a Butterfly, and jazz became the most urgent music in the world.</description><pubDate>Sat, 13 Dec 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-2010s-renaissance.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Jazz Beyond America: The Global Traditions That Grew Their Own Roots</title><link>https://jazzdiggs.com/articles/international-jazz-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/international-jazz-feature/</guid><description>Jazz is American music in origin. It has been something else for decades — a global practice with regional traditions as distinct as any national music.</description><pubDate>Fri, 05 Dec 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/international-jazz-feature.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Night Ornette Coleman Walked Into the Five Spot</title><link>https://jazzdiggs.com/articles/ornette-coleman-five-spot-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/ornette-coleman-five-spot-history/</guid><description>Miles Davis heard Ornette Coleman&apos;s quartet at the Five Spot and said, in his customarily blunt way: &apos;He just came and f***ed up everybody.&apos; That was the point.</description><pubDate>Mon, 01 Dec 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/ornette-coleman-five-spot-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Horace Silver: Song for My Father (1965)</title><link>https://jazzdiggs.com/articles/horace-silver-song-for-my-father-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/horace-silver-song-for-my-father-review/</guid><description>Song for My Father was a commercial hit at a time when jazz had no commercial hits. It earned that hit without compromising anything that matters.</description><pubDate>Thu, 27 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/horace-silver-song-for-my-father-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Free Jazz in 2025: Who Is Still Playing and Why</title><link>https://jazzdiggs.com/articles/free-jazz-today-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/free-jazz-today-feature/</guid><description>The reports of free jazz&apos;s death were exaggerated in 1965 and remain exaggerated now. The question is who is making it and where to find them.</description><pubDate>Fri, 21 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/free-jazz-today-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Francis Wolff: The Man Who Photographed Hard Bop</title><link>https://jazzdiggs.com/articles/francis-wolff-photography/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/francis-wolff-photography/</guid><description>Francis Wolff photographed almost every Blue Note session from 1938 to 1971. He never considered himself a photographer. He was wrong.</description><pubDate>Sat, 15 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/francis-wolff-photography.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Miles Ahead: The Restless Genius Who Remade Jazz Five Times Over</title><link>https://jazzdiggs.com/articles/miles-davis-restless-genius/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-davis-restless-genius/</guid><description>No figure in jazz occupies quite the same gravitational position as Miles Davis. He didn&apos;t just play music—he warped the field around him.</description><pubDate>Mon, 10 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-davis-restless-genius.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Don Was and the Art of Running Blue Note Records</title><link>https://jazzdiggs.com/articles/don-was-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/don-was-interview/</guid><description>Don Was came to Blue Note by accident. Fourteen years later, he has turned the label&apos;s founding philosophy into a modern operation.</description><pubDate>Sat, 08 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/don-was-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Irreversible Entanglements: Soundscapes from the Edge of Now</title><link>https://jazzdiggs.com/articles/irreversible-entanglements-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/irreversible-entanglements-review/</guid><description>There is no irony in Irreversible Entanglements. On Protect Your Light, the Philadelphia collective makes free jazz that insists on meaning it.</description><pubDate>Wed, 05 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/irreversible-entanglements-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Coltrane&apos;s Ascension: What the Noise Is For</title><link>https://jazzdiggs.com/articles/coltrane-ascension-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/coltrane-ascension-review/</guid><description>Ascension is not a noise record. It is a record about how many voices can speak simultaneously and still be heard. The answer, Coltrane found, is eleven.</description><pubDate>Sun, 02 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/coltrane-ascension-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>The Room Where It Happens: Why the Jazz Club Is Irreplaceable</title><link>https://jazzdiggs.com/articles/jazz-club-irreplaceable/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-club-irreplaceable/</guid><description>Streaming has given us everything except the one thing that matters most. You can hear every record ever made. What you cannot do is be in the room.</description><pubDate>Sat, 01 Nov 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-club-irreplaceable.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Esperanza Spalding and the Refusal to Be Categorized</title><link>https://jazzdiggs.com/articles/esperanza-spalding-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/esperanza-spalding-interview/</guid><description>Esperanza Spalding has won four Grammys, taught at Harvard, and built a career that refuses to sit still. What she does next is always the question.</description><pubDate>Tue, 28 Oct 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/esperanza-spalding-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Cécile McLorin Salvant and the Art of Not-Knowing</title><link>https://jazzdiggs.com/articles/cecile-mclorin-salvant-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/cecile-mclorin-salvant-interview/</guid><description>Cécile McLorin Salvant has won four Grammys for Best Jazz Vocal Album. What makes her remarkable is how suspicious she remains of her own fluency.</description><pubDate>Sat, 25 Oct 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/cecile-mclorin-salvant-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Don Was on the Tone Poet Series and the Blue Note Vaults</title><link>https://jazzdiggs.com/articles/blue-note-tone-poet-series/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/blue-note-tone-poet-series/</guid><description>Don Was went into the Blue Note vaults and heard a master of Mode for Joe. He said it would bring tears to your eyes. The Tone Poet series is why.</description><pubDate>Sat, 18 Oct 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/blue-note-tone-poet-series.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Blue Note Sessions: Building the Jazz Canon</title><link>https://jazzdiggs.com/articles/blue-note-records-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/blue-note-records-history/</guid><description>They insisted on two things above all else: real takes, with the musicians warmed up and ready; and proper mastering time, with no corners cut.</description><pubDate>Wed, 15 Oct 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/blue-note-records-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>The Blue Note 1500 Series: Forty Records That Defined an Era</title><link>https://jazzdiggs.com/articles/blue-note-1500-series/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/blue-note-1500-series/</guid><description>The Blue Note 1500 series ran from 1955 to 1958. It produced forty records. Almost all of them are essential. No label has matched that ratio before or since.</description><pubDate>Fri, 10 Oct 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/blue-note-1500-series.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>The Berkshires Summer School That Changed Jazz History</title><link>https://jazzdiggs.com/articles/berkshires-jazz-music-inn/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/berkshires-jazz-music-inn/</guid><description>Before Newport, before Lincoln Center, there was Lenox, Massachusetts — where Ornette Coleman found the audience that would send him to New York.</description><pubDate>Fri, 03 Oct 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/berkshires-jazz-music-inn.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Arooj Aftab: Vulture Prince (2021)</title><link>https://jazzdiggs.com/articles/arooj-aftab-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/arooj-aftab-review/</guid><description>Vulture Prince is dedicated to Arooj Aftab&apos;s late brother. It does not perform grief — it inhabits it, and finds something luminous there.</description><pubDate>Sat, 27 Sep 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/arooj-aftab-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Archie Shepp: Fire Music (1965)</title><link>https://jazzdiggs.com/articles/archie-shepp-fire-music-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/archie-shepp-fire-music-review/</guid><description>Archie Shepp&apos;s Fire Music is not difficult music. It is demanding music — demanding that you pay attention to what it is actually saying.</description><pubDate>Fri, 19 Sep 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/archie-shepp-fire-music-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>Ambrose Akinmusire: The Trumpet That Will Not Stand Still</title><link>https://jazzdiggs.com/articles/ambrose-akinmusire-interview/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/ambrose-akinmusire-interview/</guid><description>Ambrose Akinmusire won the Monk Competition in 2007 and has spent the years since proving that discipline and restlessness are the same thing.</description><pubDate>Sat, 13 Sep 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/ambrose-akinmusire-interview.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>On the Corner: The Record Miles Davis Made for Young Black America</title><link>https://jazzdiggs.com/articles/on-the-corner-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/on-the-corner-history/</guid><description>On the Corner was savaged on release. Critics later praised it for everything they had hated. The music did not change — the context did.</description><pubDate>Tue, 09 Sep 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/on-the-corner-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>honey from a winter stone: Akinmusire&apos;s Album of Grief</title><link>https://jazzdiggs.com/articles/akinmusire-honey-winter-stone-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/akinmusire-honey-winter-stone-review/</guid><description>Ambrose Akinmusire lost his mother while making this album. He didn&apos;t write around it. What came out is among the most honest jazz records in years.</description><pubDate>Fri, 05 Sep 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/akinmusire-honey-winter-stone-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>10 Contemporary Albums That Prove Jazz Is Thriving</title><link>https://jazzdiggs.com/articles/ten-contemporary-albums/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/ten-contemporary-albums/</guid><description>Jazz didn&apos;t stop evolving when the records you know were made. Ten albums from the past fifteen years that prove it.</description><pubDate>Sun, 31 Aug 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/ten-contemporary-albums.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The 10 Blue Note Albums Every Listener Should Know</title><link>https://jazzdiggs.com/articles/ten-blue-note-albums/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/ten-blue-note-albums/</guid><description>Blue Note released hundreds of albums. Forty appear on every essential list. Here are ten of those — and what to listen for in each.</description><pubDate>Fri, 22 Aug 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/ten-blue-note-albums.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>How Streaming Changed Jazz (and What It Didn&apos;t)</title><link>https://jazzdiggs.com/articles/streaming-changed-jazz/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/streaming-changed-jazz/</guid><description>Streaming gave jazz wider distribution than it has ever had. Jazz&apos;s audience did not grow proportionally. Something more complicated happened instead.</description><pubDate>Thu, 14 Aug 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/streaming-changed-jazz.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Rudy Van Gelder&apos;s Studio: Where the Sound Was Made</title><link>https://jazzdiggs.com/articles/rudy-van-gelder-studio/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/rudy-van-gelder-studio/</guid><description>Rudy Van Gelder recorded more of the jazz canon than any other engineer. He built his first studio in his parents&apos; living room in Hackensack, New Jersey.</description><pubDate>Tue, 05 Aug 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/rudy-van-gelder-studio.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Reid Miles: The Designer Who Defined Jazz Cool</title><link>https://jazzdiggs.com/articles/reid-miles-designer/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/reid-miles-designer/</guid><description>Reid Miles designed almost 500 Blue Note covers between 1956 and 1967. He was paid fifty dollars each. He reportedly preferred classical music.</description><pubDate>Sun, 27 Jul 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/reid-miles-designer.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Ornette Coleman: The Shape of Jazz to Come</title><link>https://jazzdiggs.com/articles/ornette-coleman-shape-of-jazz-review/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/ornette-coleman-shape-of-jazz-review/</guid><description>Ornette Coleman&apos;s 1959 debut on Atlantic doesn&apos;t sound like what people say free jazz sounds like. That&apos;s the first thing worth knowing about it.</description><pubDate>Sat, 19 Jul 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/ornette-coleman-shape-of-jazz-review.webp" type="image/jpeg" length="0"/><category>Reviews</category><author>Genaro Vasquez</author></item><item><title>The First Great Quintet: Miles Davis 1955–1959</title><link>https://jazzdiggs.com/articles/miles-first-great-quintet/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/miles-first-great-quintet/</guid><description>The rhythm section was almost an afterthought. The two horn players were the tension. And the tension was the whole point.</description><pubDate>Fri, 11 Jul 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/miles-first-great-quintet.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Mary Halvorson: Reinventing the Guitar</title><link>https://jazzdiggs.com/articles/mary-halvorson-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/mary-halvorson-feature/</guid><description>Mary Halvorson&apos;s guitar is immediately identifiable from the first note. No other guitarist in contemporary jazz sounds anything like her.</description><pubDate>Wed, 02 Jul 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/mary-halvorson-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Makaya McCraven and the Collage Method</title><link>https://jazzdiggs.com/articles/makaya-mccraven-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/makaya-mccraven-feature/</guid><description>Makaya McCraven records live improvisation and edits it into something nobody in the room played. The result is called jazz. It is also something else.</description><pubDate>Mon, 23 Jun 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/makaya-mccraven-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>The Language of Jazz: A Glossary for New Listeners</title><link>https://jazzdiggs.com/articles/language-of-jazz-glossary/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/language-of-jazz-glossary/</guid><description>Jazz has a vocabulary that insiders use casually and newcomers find baffling. Here is what the words mean — and what to listen for.</description><pubDate>Sat, 14 Jun 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/language-of-jazz-glossary.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Kind of Blue: The Album That Changed Everything</title><link>https://jazzdiggs.com/articles/kind-of-blue-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/kind-of-blue-history/</guid><description>Miles Davis walked into Columbia&apos;s 30th Street Studio in March 1959 with no written arrangements and a set of scales. What came out never stopped selling.</description><pubDate>Fri, 06 Jun 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/kind-of-blue-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Kamasi Washington and the Return of the Epic</title><link>https://jazzdiggs.com/articles/kamasi-washington-epic-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/kamasi-washington-epic-feature/</guid><description>Kamasi Washington&apos;s 2015 debut ran for three hours. Nobody asked him to shorten it. That fact tells you almost everything about what he was trying to do.</description><pubDate>Thu, 29 May 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/kamasi-washington-epic-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Duke Ellington&apos;s Sacred Concerts</title><link>https://jazzdiggs.com/articles/duke-ellington-sacred-concerts/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/duke-ellington-sacred-concerts/</guid><description>Duke Ellington&apos;s Sacred Concerts represent a late-career pivot toward music explicitly intended for spiritual use — his most important work.</description><pubDate>Tue, 27 May 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/ellington-sacred.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Jazz and the Civil Rights Movement</title><link>https://jazzdiggs.com/articles/jazz-civil-rights/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/jazz-civil-rights/</guid><description>Jazz was always political. It was built by people whose humanity was being actively contested — and the music made that argument in public.</description><pubDate>Wed, 21 May 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/jazz-civil-rights.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>In a Silent Way: Miles Goes Electric</title><link>https://jazzdiggs.com/articles/in-a-silent-way-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/in-a-silent-way-history/</guid><description>Recorded in February 1969, edited from hours of tape, released that summer. Nobody knew what to call it. Miles did not wait for a name.</description><pubDate>Mon, 12 May 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/in-a-silent-way-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>How to Listen to Free Jazz</title><link>https://jazzdiggs.com/articles/how-to-listen-free-jazz/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/how-to-listen-free-jazz/</guid><description>Free jazz has a reputation for being difficult. That reputation is wrong. The music isn&apos;t hard to hear — it&apos;s hard to hear the right way.</description><pubDate>Sat, 03 May 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/how-to-listen-free-jazz.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>The Five Cities That Made Jazz</title><link>https://jazzdiggs.com/articles/five-cities-that-made-jazz/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/five-cities-that-made-jazz/</guid><description>Jazz didn&apos;t come from one place. It came from five — each of which heard what the previous city had built and decided to do something else with it.</description><pubDate>Sun, 27 Apr 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/five-cities-that-made-jazz.webp" type="image/jpeg" length="0"/><category>Culture</category><author>Genaro Vasquez</author></item><item><title>Bitches Brew and the Birth of Fusion</title><link>https://jazzdiggs.com/articles/bitches-brew-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/bitches-brew-history/</guid><description>Miles Davis recorded Bitches Brew in August 1969 with no written parts. He invented a genre in three days. He did not ask for permission.</description><pubDate>Sat, 19 Apr 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/bitches-brew-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Alice Coltrane: The Spiritual Journey</title><link>https://jazzdiggs.com/articles/alice-coltrane-spiritual-journey/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/alice-coltrane-spiritual-journey/</guid><description>Alice Coltrane lost her husband in 1967. Instead of stepping back, she stepped deeper into the music he was reaching for.</description><pubDate>Tue, 15 Apr 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/alice-coltrane-spiritual-journey.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>Art Blakey and the Jazz Messengers: Blue Note&apos;s Proving Ground</title><link>https://jazzdiggs.com/articles/art-blakey-jazz-messengers/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/art-blakey-jazz-messengers/</guid><description>Art Blakey ran the Jazz Messengers for thirty-five years. The roster of musicians who passed through reads like a who&apos;s who of jazz across five decades.</description><pubDate>Fri, 11 Apr 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/art-blakey-jazz-messengers.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Albert Ayler and the Scream</title><link>https://jazzdiggs.com/articles/albert-ayler-feature/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/albert-ayler-feature/</guid><description>Albert Ayler&apos;s saxophone was the most extreme thing jazz had heard. It was also rooted in gospel and folk melody. Both came from the same place.</description><pubDate>Fri, 04 Apr 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/albert-ayler-feature.webp" type="image/jpeg" length="0"/><category>Features</category><author>Genaro Vasquez</author></item><item><title>A Love Supreme: Coltrane&apos;s Spiritual Peak</title><link>https://jazzdiggs.com/articles/a-love-supreme-history/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/a-love-supreme-history/</guid><description>John Coltrane recorded A Love Supreme in a single session on December 9, 1964. He was thirty-eight years old. He never made another record quite like it.</description><pubDate>Thu, 27 Mar 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/a-love-supreme-history.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item><item><title>Charlie Parker and the Bebop Revolution</title><link>https://jazzdiggs.com/articles/charlie-parker-bebop-revolution/</link><guid isPermaLink="true">https://jazzdiggs.com/articles/charlie-parker-bebop-revolution/</guid><description>In the 1940s, Charlie Parker took swing music and remade it. What emerged was something that sounded like the future.</description><pubDate>Mon, 10 Mar 2025 00:00:00 GMT</pubDate><enclosure url="/images/covers/charlie-parker-bebop.webp" type="image/jpeg" length="0"/><category>History</category><author>Genaro Vasquez</author></item></channel></rss>