An In-Depth Look at BADBADNOTGOOD’s Rise in Jazz

Dive deep into the rise of BADBADNOTGOOD, a pioneering jazz band. Discover how they blend genres to inject new energy into contemporary jazz. Read more on their journey.

Have you ever stumbled upon a band so refreshingly unique that you couldn’t help but fall down the rabbit hole of their discography? BADBADNOTGOOD is precisely that kind of band for many jazz enthusiasts and casual listeners alike. This group’s ascent in the jazz world is nothing short of remarkable, blending multiple genres into a refreshing take on contemporary jazz. Let’s take an intimate look at their rise and contributions to the music landscape.

Who is BADBADNOTGOOD?

BADBADNOTGOOD, often abbreviated as BBNG, is a Toronto-based band that emerged as a refreshing force in the jazz scene. Comprising current members Matthew Tavares (keys), Chester Hansen (bass), and Alexander Sowinski (drums), the group initially garnered attention for their unique interpretations of hip-hop tracks. They later evolved into a well-respected entity in the jazz world, pushing the boundaries of the genre by blending jazz with elements of hip-hop, electronic, and even rock music.

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Humble Beginnings

BADBADNOTGOOD began as a trio when the members met at Humber College’s jazz program in Toronto. Their mutual love for jazz, combined with a passion for modern genres such as hip-hop, made them immediate collaborators. Their early performances were often covers of hip-hop tracks, but their jazz backgrounds allowed them to reinterpret these songs in a way that no one else had.

The Online Launchpad

The internet acted as a pivotal platform for BBNG’s ascent. Their first major exposure came from a reinterpretation of Odd Future’s music, which went viral and attracted the attention of numerous artists and fans online. This early recognition allowed them to build a solid fan base, and social media platforms played a significant role in their early marketing efforts.

The Musical Evolution of BADBADNOTGOOD

BADBADNOTGOOD’s early work laid the foundation for what would become their signature sound—an innovative blend of genres that they have continued to evolve over the years. Let’s explore how their music has transformed from their first album, “BBNG,” to their most recent releases.

Early Albums: BBNG and BBNG2

The band’s first two albums, “BBNG” (2011) and “BBNG2” (2012), were largely instrumental and featured covers of hip-hop tracks by artists such as A Tribe Called Quest, Kanye West, and MF DOOM. These early projects were raw, energetic, and showcased their exceptional talent and creativity.

Third Album: III

In 2014, BBNG released “III,” their first album to feature entirely original compositions. This marked a significant turning point in their career, as the band began to delve deeper into creating their own unique soundscape. The album received critical acclaim and solidified their place in the modern jazz world.

Collaborations and Expanded Instrumentation

One of the hallmarks of BADBADNOTGOOD’s career has been their numerous collaborations with a diverse range of artists. They’ve worked with Kendrick Lamar, Ghostface Killah, and Kaytranada, among others. These collaborations have allowed them to further experiment with their sound and reach new audiences.

Contributions to the Jazz World

BADBADNOTGOOD has made significant contributions to the jazz world, not only through their innovative music but also by challenging the traditional perceptions of jazz. Their ability to fuse various genres has breathed new life into contemporary jazz, attracting a younger audience and expanding the genre’s boundaries.

Breaking Genre Barriers

One of BBNG’s most notable contributions is their role in breaking down the barriers between jazz and other genres. Their music seamlessly blends elements of hip-hop, electronic, and rock, making it accessible to a broader audience. This genre-blending approach has opened up jazz to a new generation of listeners who might not have otherwise explored the genre.

Influence on Modern Jazz Musicians

BADBADNOTGOOD’s success has inspired many young musicians to experiment with jazz and incorporate diverse influences into their own work. Their unique approach has demonstrated that jazz can be both innovative and relevant in today’s music landscape.

Live Performances and Their Impact

BBNG’s live performances are renowned for their energy and creativity. They’ve not only performed at jazz festivals but have also graced the stages of mainstream music festivals, further bridging the gap between jazz and other music genres. Their dynamic live shows have helped elevate their status in the music world and continue to draw in fans from various backgrounds.

Expert Insights on BADBADNOTGOOD

To truly appreciate BADBADNOTGOOD’s impact, it’s helpful to look at what critics and fellow musicians have said about their work.

Critic Reviews

The band has received praise from various music critics. For example, Pitchfork highlighted their ability to “blur the boundaries between jazz, hip-hop, and electronic music,” while AllMusic noted their “refreshing approach to jazz.” Such accolades underscore their innovative contributions to the genre.

Collaborators’ Views

Artists who have collaborated with BBNG, like Ghostface Killah and Kaytranada, have spoken highly of their experience working with the band. Ghostface Killah praised their creativity and musical versatility, while Kaytranada mentioned that BBNG’s jazz foundation adds a unique depth to their collaborative projects.

The Personal Side of BADBADNOTGOOD

Beyond their music, it’s worth getting to know the band members on a more personal level to understand the driving forces behind their creativity.

Matthew Tavares

Matthew Tavares, the keyboardist, is known for his experimental approach to music. His love for electronic sounds and unconventional musical structures is evident in BBNG’s overall sound.

Chester Hansen

Bassist Chester Hansen brings a wealth of musical knowledge and a strong jazz background to the band. His versatility on the bass allows him to seamlessly transition between various genres, making him a cornerstone of BBNG’s sound.

Alexander Sowinski

Drummer Alexander Sowinski’s passion for hip-hop and jazz rhythms is a major influence on the band’s percussion-heavy tracks. He’s also the most vocal member of the group, often acting as the spokesman during interviews and live shows.

Their Bond as a Band

What sets BBNG apart is the strong bond between the members. Their shared passion for pushing musical boundaries and their mutual respect for one another’s talents create a unique chemistry that shines through in their music.

The Future of BADBADNOTGOOD

As BADBADNOTGOOD continues to explore new musical landscapes, they show no signs of slowing down. Their innovative approach ensures that they will remain a dynamic force in the jazz world and beyond.

Upcoming Projects

While specific details about upcoming projects are often kept under wraps, BBNG consistently hints at new music and collaborations through their social media channels. Their fans eagerly await each new release, knowing it will undoubtedly bring fresh and exciting sounds.

The Band’s Legacy

BADBADNOTGOOD’s influence on modern jazz is already significant, and their legacy is still in the making. They’ve proven that jazz is a genre capable of continual evolution, and their work inspires countless musicians to think outside the box.

Conclusion: BADBADNOTGOOD’s Impact on Jazz

In confronting the traditional boundaries of jazz, BADBADNOTGOOD has not only carved out a unique space for themselves but also revitalized the genre for a new generation of listeners. Their innovative blending of hip-hop, electronic, rock, and jazz has captured the imaginations of many and continues to influence the music industry. Whether you’re a seasoned jazz aficionado or new to the genre, exploring BADBADNOTGOOD’s discography is an enlightening experience.

Their journey from college students experimenting with hip-hop covers to influential jazz musicians highlights the importance of innovation and collaboration in music. BADBADNOTGOOD serves as a reminder that jazz, a genre with deep historical roots, still has plenty of room for growth and reinvention.


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